Monday 4 April 2011

Art review: 'My Super Hero: New Contemporary Art from Iran' at Morono Kiang


by Sharon Mizota

“Abuse of power comes as no surprise,” wrote Jenny Holzer in the late 1970s. It’s a sentiment borne out by the work of the 31 artists featured in “My Super Hero: New Contemporary Art from Iran.” On view simultaneously at Morono Kiang Gallery in L.A. and Aaran Gallery in Tehran, the ambitious exhibition could hardly be more timely. As the ongoing tumult in the Middle East has made painfully clear, the whole question of heroism and leadership — who should lead and how — is fraught with the specters of corruption, oppression and abuse. Aaran Gallery director Nazila Noebashari has assembled a wide range of works notable not only for their debunking of superhero mythology, but also for the often veiled and clever ways in which they get their message across.

Noebashari asked the artists — most of whom live in Iran — to respond to the superhero theme, and each artist created two works, one for each gallery. In some cases, the works are duplicates; in others, they are totally different, reflecting not only the irreproducibility of certain pieces, but the differences in cultural context between Los Angeles and Tehran. For example, the gallery attendant noted that although it seems relatively benign in L.A., Behdad Lahooti’s bronze sculpture of a turban would be problematic in Iran because it could be seen as a disrespectful take on a symbol of religious devotion. Siamak Filizadeh’s image of an inflatable Spiderman whose air valve is in a sexually suggestive location would also be unacceptable. And Maryam Amini’s painting of severed male genitalia — with a pair of scissors stored tidily in a Plexiglas box behind it — is similarly beyond the pale.

Other artists take a more oblique approach to social and political issues. Nasim Davari’s painting of Tlazolteotl giving birth is at once a visceral image of an Aztec goddess and an implicit critique of fundamentalism and sexism. Tlazolteotl presides over filth and midwives, but also purification and forgiveness; she unites rather than polarizes. Arash Fayez also triangulates other points in history to shed light on current events; he has stapled brief, critical comments to archival photographs of erstwhile “heroes” Hitler and Mao.

Still other artists are inspired by Iran’s storied past. In Nazanin Pouyandeh’s delicate painting, a man wearing a golden crown sits atop a mountain of garbage. The armored figures in Ala Ebtekar’s drawings look like Japanese anime characters but are outfitted with ancient Persian headgear and weapons. Ebtekar created them in response to an antique book he bought in Iran featuring some of the earliest known drawings of robot-like machines.

By contrast, some works suggest that real superheroes are everyday people. Newsha Tavakolian’s striking photograph of a young woman wearing a black hijab and bright red boxing gloves suggests untapped potency. And Sahand Hesamyan’s self-portrait, “Me as a Lion, As a Hero,” is a Transformers-esque mirrored mask that is half armor, half disco ball.

Not all of the works are as striking or as eloquent, but that’s to be expected in any show of this size and range. What is remarkable is that these artists continue to have faith in aesthetic strategies as an undercover mode of dissent and critique. It will be interesting to see, if the Middle East’s “superheroes” continue to fall, whether they will always have to be so stealthy.

Selected Works
 Newsha Tavakolian, My Superhero 1, C print, 41x51"

 Newsha Tavakolian, My Superhero 2, C print, 41x51"

 Newsha Tavakolian, My Superhero 3, C print, 41x51"

Jinoos Taghizadeh, Museum of Natural National Heritage, Fiber glass, 10x10x17.75"

 Nasim Davari, Tlazolteotl, Oil on canvas, 51x37"

Behrang Samadzadeghan, My Superhero # 1, Mixed media, Triptych, 22x18" (each panel)

 Nazanin Pouyandeh, Le vent mauvais (The ill wind), Oil on canvas, 63.75x51"

 Abbas Kowsari, My Superhero, C print, 43x51"

 Ali Reza Jodey, From the series "Shahnameh", Mixed media on paper, 28.5x20"

Sara Abbasian, National Geographic 123456789, Print on magazine, 16.5x11"

 Arash Hanaei, Blissful Artist (Series of 1 lightbox and 8 prints), Digital print, 12x8"

 Arash Hanaei, Blissful Artist (Series of 1 lightbox and 8 prints), Digital print, 12x8"

Arash Hanaei, Blissful Artist (Series of 1 lightbox and 8 prints), Digital print, 24.5x19.75"
Arash Hanaei, Blissful Artist (Series of 1 lightbox and 8 prints), Digital print, 12.5x12"
Arash Hanaei, Blissful Artist (Series of 1 lightbox and 8 prints), Digital print on lightbox, 13x9"

Arash Sedaghatkish, Amir Arsalan Namdar disguised as Elias, Oil, reverse painting on plexiglass, 12x16"
Farsad Labbauf, Liquid Light - (A portrait of Gabo), Oil on primed canvas, 90x70"

 Siamak Filizadeh, Blow #2, C print, 39.5x31.5"

Siamak Filizadeh, Super Hero, C print, 55.25x33.75"
 Siamak Filizadeh, Blow #1, C print, 39.5x31.5"

Ghazal Khatibi, Weighing scale with pink flowers, Mixed media on printed paper, 35x19.5"

 Maryam Amini, MY Super Hero, After Shave(d), Oil and charcoal on canvas, plexiglass box + scissors, 72x48"
 Shahram Entekhabi, Fresh "Me?" No. 1, Collage drawing, ink, pencil, ballpoint pen, adhesive foil on paperbaord, 31x23"

 Sahand Hesamyan, Me as a Lion, As a Hero, Stainless steel, 33x31x16"

 Ala Ebtekar, Figure 2 (after Aahangar), Gouache on digital pigment print on Hanemhle paper, 30" x 20 1/4"

Ala Ebtekar, Figure 3 (after Aahangar), Gouache on digital pigment print on Hanemhle paper, 30" x 20 1/4"

 Baktash Sarang, Letters by Anonymous Hero, From series " My Hero ", Silkscreen and Mixed Media, Silkscreen: 60x37", Box: 5x10x3"

 Arash Fayez, Against hermeneutic, Digital photographic print, Dimensions variable
Translation of the poem on the image:  In a second you will receive a beating and will become a HERO

Arash Fayez, Against hermeneutic, Digital photographic print, Dimensions variable
Translation of the poem on the image:  Cannon tank machine gun no longer effective at the time when you were STANDING

Arash Fayez, Against hermeneutic, Digital photographic print, Dimensions variable
Translation of the poem on the image:  streets that are not the same any more, that hold collective memories, have become silent, UNDER the city's asphalt

 Arash Fayez, Against hermeneutic, Digital photographic print, Dimensions variable
Translation of the poem on the image:  this is how you use your childhood TRAUMA to strike with your gun, hateful, kicking; as you smoke. you are even afraid of their lifeless bodies

 Arash Fayez, Against hermeneutic, Digital photographic print, Dimensions variable
Translation of the poem on the image:  Burn To your heart's content, books that will be printed AGAIN

Arash Fayez, Against hermeneutic, Digital photographic print, Dimensions variable
Translation of the poem on the image:  You were the sunshine for your country, for its sun worshippers; a BURNING sun that withers flowers

Arash Fayez, Against hermeneutic, Digital photographic print, Dimensions variable
Translation of the poem on the image:  Your little hands signal victory but what kind of victory? when you hang on a corner your sneakers, mourning mothers WAIL their saddest joy

 Arash Fayez, Against hermeneutic, Digital photographic print, Dimensions variable
Translation of the poem on the image:  See how they watch you they watch your eyes your hands and your WORD

 Arash Fayez, Against hermeneutic, Digital photographic print, Dimensions variable
Translation of the poem on the image:  Every one of you returned home to your stoves and wives, when you were done LEADING others to their graves

Arash Fayez, Against hermeneutic, Digital photographic print, Dimensions variable
Translation of the poem on the image:  Your gaze at us and others' at you is testimony that you are the liveliest of the dead this PHOTOGRAPH is testimony to this statement

Arash Fayez, Against hermeneutic, Digital photographic print, Dimensions variable
Translation of the poem on the image:  You stand listen take commands and you kill without ever asking yourself "Alas, the LOST belief."

 Ala Dehghan, Your tongue, Mixed media, 43x31"

 Amitis Motevalli, Let them eat yellowcake; Love letters to Jeremy, Video (still), 12:30 min.

 Amitis Motevalli, Let them eat yellowcake; Love letters to Jeremy, Video (still), 12:30 min.

 Farhad Fozouni, TEHRAN, Poster print, 27.5x39.5"

 Morteza Zahedi, The Kiss, Bronze, 20x12x16

Behdad Lahooti. No Comment, Bronze, 4.75x8"

Amir Ali Bashiri, And We Shoot Teddy Bears, Stainless steel and brass, Dimensions variable

 Amir Ali Bashiri, And We Shoot Teddy Bears (detail), Stainless steel and brass, Dimensions variable

 Elika Hedayat, Untitled, Mixed media on paper, 7x9"

 Elika Hedayat, Untitled, Mixed media on paper, 7x9"

 Narcissus Echoes, Aplastic play, Stainless steel mirrors, megaphone (horn loud speaker), Approx. 40x98x69", Sound: mono, Duration: sempiternal

 Neda Razavipour, Daily Notes: Arabia And Other Social And Cultural Contradictions, Mixed media, pencil , pen on pages of daily calendar, 9x6.5"

Neda Razavipour, Daily Notes: Veiled Footballers In Olympics, Singapore, Mixed media, pencil , pen on pages of daily calendar, 9x6.5"

Morono Kiang Gallery, 218 W. 3rd St., L.A., (213) 628-8208, through April 30. Closed Sundays and Mondays. www.moronokiang.com

Via LA Times

Related Link: My Super Hero Exhibition: Opening simultaneously in Los Angeles and Tehran

1 comment:

  1. This comment has been removed by a blog administrator.

    ReplyDelete